What would Estée Lauder, the doyenne of the modern cosmetic industry, say? The Estée Lauder Companies, her namesake multinational, appears to be stuck in a downward spiral. The $41bn group has missed expectations nearly every quarter this year. Then last week, it again cut growth targets. America’s biggest beauty group keeps losing market share to rivals such as France’s L’Oréal and Spain’s Puig. Many of its flagship brands such as Clinique and the Estée Lauder brand are no longer as strong as they once were.
The time has come to brush off the cobwebs, industry insiders say. The Lauder family let them grow in the same way the Ferragamo family refused to touch the Italian shoemaking brand for many years before the arrival of CEO Marco Gobbetti, as Miss Tweed reported last month. It’s the “Ferragamo syndrome.” For the longest time, the descendants of the Ferragamo brand could not find the courage to alter its products and communication. For them, it felt like killing the memory of their father Salvatore, founder of the brand. The same thing has happened to the Lauder family. Revamping brands such as Estée Lauder means destroying the memory and heritage of its beloved founder, who died in 2004 aged 97. The brand is sacrosanct, untouchable. And as a result, it has become irrelevant. It’s seen as for grandmothers, like Ferragamo was before its brutal (and not yet successful) makeover initiated by Gobbetti.
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A Year in the News 2021-2022 is a compilation of Miss Tweed's stories published online during its second year. Like the first yearbook, it is a limited edition. Hence, it is a collector's item. It is designed to celebrate the work of illustrator Claire Laude. Each illustration runs next to the first two paragraph of the story.
This book is a compilation of Miss Tweed’s stories during its first year. The digital revolution, the closely guarded secrets of LVMH, Richemont and Kering and the future of watchmaking are among the many topics Miss Tweed covered between the summer of 2020 and the summer of 2021.
Author and journalist Astrid Wendlandt conducted a four-year investigation into the
secretive world of fashion and luxury involving hundreds of interviews with top executives and
Comment l’industrie du luxe et de la mode, quasi-inexistante il y a quarante ans, est
devenue une puissance mondiale ? Dans cette anthropologie du glamour, la journaliste Astrid Wendlandt
épingle ses super-héros et analyse ses contradictions.